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The Paris Review started with a straightforward publication crucial: "peruser," William Styron wrote in a letter in the debut issue, "They would like to stress inventive work—fiction and verse—not to the avoidance of analysis, yet in light of the point of just expelling analysis from the ruling spot it holds in most scholarly magazines and putting it practically where it has a place, i.e., some place close the rear of the book. Without fail, The Paris Review has presented the significant essayists of the day. Adrienne Rich was first distributed in quite a while pages, as were Philip Roth, V. S. Naipaul, and Rick Moody. Choices from Samuel Beckett's epic Molloy showed up in the fifth issue, one of his first productions in English.