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Beksinski works turned out to be more well known in France because of the undertakings of Piotr Dmochowski, and accomplished critical ubiquity in Western Europe, the them and Japan. The work in the late 1980s and early 1990s featured a series of crosses and monumental or sculpture-like images in a limited (and frequently muted) color palette. These paintings, which frequently appear to have been densely sketched in colored lines, were just as powerful as those from his "fantastic period" despite being less lavish. "I'm going in the direction of a greater simplification of the background, at the same time a considerable degree of deformation in the figures, which are being painted without what's known as naturalistic light and shadow, " Beksinski explained in 1994. Their goal is for it to be immediately apparent that this is their painting. He learned about computers, the Internet, digital photography, and photo manipulation toward the end of the 1990s.